This is one in a series of posts where the content is provided by a guest who has graciously answered five questions about their experience as a Tolkien fan.

To see the idea behind this project, or if you are interested in sharing your own, visit the project homepage. If you enjoy this series, please consider helping us fund the project using the support page.

I want to thank Donato Giancola for allowing me to use his artwork for this project. Prints are available on his website!

Now, on to Ofer’s responses:

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1. How were you introduced to Tolkien’s work?

Through Blind Guardian’s album Nightfall in Middle-earth and specifically the song “Nightfall” which was both my first step into Metal music and Tolkien’s legendarium. It was 1998 and I was in 9th grade, I think.

My brother and I really liked the song, so we searched the internet for the lyrics (dealing with the darkening of Valinor, as I was to learn later, but in a somewhat obscure way) and were intrigued. After buying the album and realizing it’s based on The Silmarillion, I started asking around and was told that it’s a work by J.R.R. Tolkien but that you must read The Hobbit and The Lord of the Rings first, and that you should do it in English. So we got the books in English (Hebrew being our mother-tongue) with the purpose of understanding this Blind Guardian album – a really laborious task for me, since I wasn’t much of a book-reader in any language. I couldn’t get more than half of it after the first reading, and couldn’t understand “Nightfall in Middle-earth,” so I started again (and again and again…).

2. What is your favorite part of Tolkien’s work?

It’s richness and wholesomeness.

3. What is your fondest experience of Tolkien’s work?

Preparing and giving lectures on Tolkien’s works for fan conventions in Israel:

After discovering the lively community we have here, I started inquiring about the Blind Guardian album and the meaning of the songs. I was disappointed to find what I considered very flat answers where I was sure there was much more depth. After hearing a lecture about the connection between Lord of the Rings and Wagner’s Ring Cycle, where the lecturer clearly stated that Tolkien denied any connection (besides both rings being round), I decided that preparing and giving a lecture about Nightfall in Middle-earth and The Silmarillion made way more sense. So I started working on that and found great joy in the literary research and engagement with the text – a bit like solving pieces of a puzzle. The songs really make interesting connections that have strong roots in the text itself (for example comparing Fëanor to Arda, Maedhros to Morgoth, Morgoth to Illuvatar… all quite subtly). There was so much to say that I had to split it into two talks (and still didn’t cover everything). After the first lecture I got a hug of appreciation from one in the audience!

Later I got to give another lecture on a very different topic that also got me extremely excited. There’s a Hebrew author called Yoseph Haim Brenner (1981-1921), which I grew to really love. In some ways he’s completely different from Tolkien (very much concerned with the real world of his time and very much against religion), but I found in him the same kind of richness, wholesomeness and wisdom that I’ve found in Tolkien, and I’ve found that both were using the term of “Sanctification” as something to aspire to. For me it was a huge undertaking and a bit of a rollercoaster (at times doubting if there’s anything to really talk about and in others believing I’m reaching great insights), but again engaging with the texts (this time also letters and articles by Tolkien) was worth it in itself, and I was quite happy with the end result (basically dealing with what makes great art great and how it can affect our lives).

4. Has the way you approach Tolkien’s work changed over time?

Yes, of course.

I grew to understand it a lot better, I believe. I was always interested in the Art of Tolkien (literary art) and still am. I’ve studied visual arts the same time I started reading Tolkien and ever since I’ve been engaged with Art (of all kinds), trying to get a better understanding of it and its importance in my life and in general. Tolkien’s work and essays have taught me a lot, as well as comparing it to other works of art. Even the current discourse about adaptation got me very much interested and engaged.

I think my general view of life was affected by Tolkien’s works (among some others), and you can’t approach something the exact same way twice. Hard to say what is the difference exactly each time, but I think the last big difference came to me after reading Tolkien’s lectures on Beowulf. Those made me realize that if he analyzes things with such amazing depth, and yet a clear view of the whole picture – you can’t really over-do it with analysis of his works.

5. Would you ever recommend Tolkien’s work? Why/Why not?

I do recommend it, mainly because I think (especially after that last lecture I gave, concerning its artistic achievements and specifically the subject of sanctification) that it can have a very good effect on people. Enrich their lives at the very least (while other works may do the opposite in some cases).

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You can find Ofer Zivony on Facebook!

This is one in a series of posts where the content is provided by a guest who has graciously answered five questions about their experience as a Tolkien fan.

To see the idea behind this project, or if you are interested in sharing your own, visit the project homepage. If you enjoy this series, please consider helping us fund the project using the support page.

I want to thank Donato Giancola for allowing me to use his artwork for this project. Prints are available on his website!

Now, on to K. A.’s responses:

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1. How were you introduced to Tolkien’s work?

I was around 12 years old when the Peter Jackson films were released, and they were extremely popular in my home country, and so I think those films were the entry point. But my mother always had The Lord of the Rings books around, and I made my first attempt to read it then. I don’t remember anymore when exactly it clicked and I devoured the whole text, but that did happen eventually. I do distinctly remember my mother telling me that Tolkien was friends with C.S. Lewis, whom I knew from having read the Narnia books, and whose works she had always liked. Our copies of LOTR had a line of Lewis’s praise for them and I think my young self took that as a recommendation. So maybe I should say that I owe my introduction to Tolkien’s work to my mother and to C.S. Lewis.

2. What is your favorite part of Tolkien’s work?

It’s difficult to state one single favourite bit because I feel like as I get older and continually revisit Tolkien’s work, I enjoy different parts. When I was younger I just enjoyed that LOTR felt very complete as a story, with a beginning, a middle, and an ending. The quest felt very neatly tied up. As I got older a thing I kept coming back to (in LOTR) is how many of the characters practice compassion and humility, and how these are not weaknesses but strengths in very tangible ways, which seemed to always be missing from other works of epic fantasy. One reason my favour for the LOTR books soon overtook the Jackson films was how the book characters had reasonable discussions with one another over what to do about their impending crisis and kept making choices informed by mutual understanding and a sense of collective responsibility, rather than blowing up in a temper for dramatic effect and/or just making the right choice by luck (Compare: the Council of Elrond scenes, as well as the reason Merry and Pippin are able to join the Fellowship). I was and still am always struck by how timelessly relevant the environmentalist parts of the story are; I joke along with everyone else that Tolkien ‘just really liked trees’ but honestly the stories of the Ents and the betrayal of Saruman and the ever-changing relationship with nature are some of the most poignant parts for me. 

Nowadays I think I am enjoying The Silmarillion and the rest of the Legendarium more. I used to like reading the first part of The Silmarillion in the same way I used to like reading the Old Testament of the Bible; I liked the creation myth, and the Edenic part of the cycle. In recent years I am appreciating the rest of it in terms of a really good intergenerational family drama. 

3. What is your fondest experience of Tolkien’s work?

Up until I went to university, my experience of Tolkien’s work was rather solitary. Apart from the odd friend here and there, I didn’t know anyone who read and thought about the books as much as I did. All anyone really knew were the Jackson films, and I was usually the one person in the room who had actually read the books and would self-deprecatingly admit that I had a personal tradition of rereading them every year at Christmas. On the one hand, I think I was spared a lot of what we might call fandom nonsense (particularly as a female and Asian fan, which I knew could be had from other works with large followings and fan communities). On the other hand, it was slightly lonely. So when my college offered a Tolkien course by one of my best professors and I signed up, I just had a wonderful time having peers to discuss the text with and articulate a lot of the thoughts I had about it. 

That course also helped me years later, when I decided to do a degree in Fantasy Literature, because it previewed to me the kind of work I might be doing at such a degree. I didn’t end up pursuing Tolkien for my dissertation, but I consider my time doing the degree as an experience I got to have because of Tolkien’s work. 

But the most concrete ‘fondest experience’ of Tolkien’s work I can name is that once I submitted my dissertation for that degree, my then-fiancé and I made a road trip up the Scottish Highlands and the Inner Hebrides, and we listened to The Silmarillion audiobook as we drove into unbelievably beautiful and epic landscapes. You can imagine how the scenes came alive for us. 

Also, we were married the following January 3rd. I will admit there was some Tolkien-related intent in choosing that date but it was not the sole deciding factor. We do still occasionally listen to The Silmarillion audiobook together though. My husband is a theologian, so he appreciates Tolkien’s work in his own way, but I know he asks me questions about the text on purpose so I have a place to vent all of my incoherent Tolkien thoughts, and am no longer so intellectually lonely. 

4. Has the way you approach Tolkien’s work changed over time?

I can pinpoint a few ways in which my approach to Tolkien’s work has definitely changed ever since that first childhood read of LOTR. The first is that I used to revere his work, LOTR in particular, to the point that it was a bit of a measuring stick. I had such an awe for it that I felt like everything else in fantasy felt like it paled in comparison. As I got older and got to read Tolkien’s nonfiction, like his letters and essays, and just got to read more about fantasy in general and exercise that criticism muscle, that I could approach his work as less of an authority on all things fantasy and more of an exemplar of a particular kind of fantasy. So not only do I appreciate many other works of fantasy on their own terms now rather than by comparison to Tolkien, I am also much more able to question and problematise certain aspects or elements of Tolkien’s work now as an adult than I was a child. The most glaring one, which I still think about a lot, are the constructions of colonialist thinking in that influence the text, but are taken for granted and so are somewhat invisible. In my opinion, this is what is actually underpinning a lot of the racialist ideas of the text. 

But I would hasten to add that I don’t think I’ve lost my childhood delight in reading Tolkien’s work at all. This is something I wish more people would consider, actually, that being critical of a work you loved in childhood is not the reason you have lost that idyll. 

5. Would you ever recommend Tolkien’s work? Why/Why not?

The other way I think my approach has changed is related to the question of whether or not I would recommend Tolkien’s work to others. I used to feel that Tolkien’s work was the piece of fantasy  literature that ought to be read by everyone. But I’ve come to realise that this is the same attitude many people have about reading works of ‘classical literature’ and part of why you have people pretending they had read Moby Dick or War and Peace. I think people should read what they choose to read, and if you believe in the beauty of the work, then you know that people will choose it.

So in my everyday life, if a person asked me whether or not I think they’d like reading Lord of the Rings, it would really depend on who that person is and what I know about them, and this is the same with all books for me. Publicly, or generally, I think I wouldn’t recommend Tolkien’s works to anyone, because I don’t feel like my recommendation is significant to a random person’s decision to read something—even as I do wish more people would read his works. If you couldn’t tell, my whole experience with Tolkien’s works has been enriching and rewarding, and I’d like that for more people.

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You can find K. A. Montinola on Twitter!

This is one in a series of posts where the content is provided by a guest who has graciously answered five questions about their experience as a Tolkien fan.

To see the idea behind this project, or if you are interested in sharing your own, visit the project homepage. If you enjoy this series, please consider helping us fund the project using the support page.

I want to thank Donato Giancola for allowing me to use his artwork for this project. Prints are available on his website!

Now, on to Tim’s responses:

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1. How were you introduced to Tolkien’s work?

The Hobbit Cartoon when i was 5 or 6. Almost 50 now.

2. What is your favorite part of Tolkien’s work?

Complex story with great characters with the simplistic ending by simple people.

3. What is your fondest experience of Tolkien’s work?

Re-reading Lord of the Rings after the 1st movie came out.

4. Has the way you approach Tolkien’s work changed over time?

I guess i care more about the MINOR charters now.

5. Would you ever recommend Tolkien’s work? Why/Why not?

Yes to any and everyone.

This is one in a series of posts where the content is provided by a guest who has graciously answered five questions about their experience as a Tolkien fan.

To see the idea behind this project, or if you are interested in sharing your own, visit the project homepage. If you enjoy this series, please consider helping us fund the project using the support page.

I want to thank Donato Giancola for allowing me to use his artwork for this project. Prints are available on his website!

Now, on to Mike’s responses:

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1. How were you introduced to Tolkien’s work?

When I was 6 or 7, I was given an illustrated version of The Hobbit that contained the story as well as stills and production sketches from the Rankin Bass movie that I used to pore over – I was simultaneously captivated and horrified by Gollum and the goblins (strangely, Smaug didn’t frighten me at all).

2. What is your favorite part of Tolkien’s work?

The depth and breadth of his world-building. I love that The Hobbit and Lord of the Rings work as stories on their own, but that if you’re committed enough, you can delve into so many different layers: history, mythology, theology, philology, geography, poetry and songs – there’s something for almost everyone. Finding Unfinished Tales and then The History of Middle-earth just deepened my love and appreciation for the core stories.

3. What is your fondest experience of Tolkien’s work?

When I was 10, I went to the library and “discovered” Lord of the Rings on the shelves. Being young (and not looking at the cover very closely), I didn’t realize that the story had been split into three books, so I just grabbed the first copy on the shelf, and thus ended up reading The Two Towers first. Thankfully, the synopsis was very descriptive and helpful in figuring out that I had definitely missed something. Even after starting in the middle, I was hooked.

4. Has the way you approach Tolkien’s work changed over time?

Definitely. I’ve been re-reading The Hobbit and Lord of the Rings every year since 1985, and every time, I find something different to appreciate. When people ask why I keep reading the same books so many times, I liken it to returning to the same vacation destination every year – there’s plenty of enjoyable parts that feel familiar and comfortable, but I always manage to uncover something new every time I visit. As I’ve gotten older, I find myself appreciating Tolkien’s attention to detail, especially in his descriptions of meals.

5. Would you ever recommend Tolkien’s work? Why/Why not?

I would, but I wouldn’t ever go into too much detail, because I’d want that person to be able to experience Tolkien’s work with fresh eyes. I have a young son who is a voracious reader. He’s not quite ready for The Hobbit yet, but I can’t wait to introduce him when he is and get his perspective on these amazing stories.

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You can find Mike Leister on Twitter!

This is one in a series of posts where the content is provided by a guest who has graciously answered five questions about their experience as a Tolkien fan.

To see the idea behind this project, or if you are interested in sharing your own, visit the project homepage. If you enjoy this series, please consider helping us fund the project using the support page.

I want to thank Donato Giancola for allowing me to use his artwork for this project. Prints are available on his website!

Now, on to Anna’s responses:

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1. How were you introduced to Tolkien’s work?

I saw the trailer to the Fellowship movie when I went to see the first Harry Potter movie. I forgot all about Harry Potter immediately. I was 11 and the age limit to see the movie without express permission was 12 at the time. My mother promised me she would let me go if I read the books first. I did, and I loved them so much, but by the time I had gotten and finished them, the movie didn’t run anymore – something I still hold against her. She understands 🙂

2. What is your favorite part of Tolkien’s work?

The theme of hope. There is always hope, even when things look hopeless. But equally, it doesn’t sugar coat: bad things happen, the world will change because of them, and you cannot get the old world back. I had a traumatic childhood and greatly appreciate this approach to undying hope and goodness without the expectation that bad can only be overcome by undoing it – something that is unrealistic.

Also, the way he deals with (sub)-creation: the entire Legendarium is full of cautionary tales about creativity, making and it’s pitfalls. I do relate to Aule as much as to Feanor in a way. I am a creative professional and I like having that aspect to relate to.

3. What is your fondest experience of Tolkien’s work?

Oh, that’s difficult. I reread Tolkien’s work typically in Autumn and Winter, my favorite Seasons, and I think it’s something that has turned into a tradition that is fully mine, something just for myself that I find very soothing.

The other is rewatching the Jackson Trilogy’s making-of the way other people watch Disney or Ghibli movies whenever they feel unwell. I have seen them way more than the actual movies themselves. I understand this is about Tolkien’s work, not Jackson’s, but the visuality of those movies was my gateway and the creativity of the people involved is so very inspiring and dear to me, and was 100% instrumental to me becoming a designer. I think I am fond of how Tolkien extracted the very best out of a group of people I first considered my role models, and now my peers.

Another thing that I would mention: Like most Tolkien obsessed teens, I used to teach myself writing Tengwar. Nowadays I research writing systems by way of typesetting/typography. It’s a field very much connected to Philology. I didn’t make the connection for a long time, but when I did it felt like coming full circle: Like it was something the Professor already told me when I was 11, 12, and that I had just forgotten about and had rediscovered.

4. Has the way you approach Tolkien’s work changed over time?

My first instinct here was to say yes, of course. I am 20 years older, and not a child anymore. But I think my approach is exactly the same: Wonder, and yearning for a moral compass especially in dark times. I always find it, too, it just tells me slightly different things each time.

5. Would you ever recommend Tolkien’s work? Why/Why not?

I find it difficult to “recommend” something so close to my heart. Not proactively, I think. The vast majority of people I meet have either already read Tolkien, or heard about it and haven’t read it yet. If people are reluctant about reading it because it’s a long book rumoured to be hard to get into, I will always, always encourage them!!! I don’t like wasting my time trying to convince the “no fantasy” crowd. I do tell people that I am a huge fan when it comes up and hope it serves as a recommendation, if you will. If people are interested, I will tell them more, of course, and I don’t think I am very good at concealing enthusiasm. 🙂

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You can find Anna Voß on Instagram!

This is one in a series of posts where the content is provided by a guest who has graciously answered five questions about their experience as a Tolkien fan.

To see the idea behind this project, or if you are interested in sharing your own, visit the project homepage. If you enjoy this series, please consider helping us fund the project using the support page.

I want to thank Donato Giancola for allowing me to use his artwork for this project. Prints are available on his website!

Now, on to Eve’s responses:

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1. How were you introduced to Tolkien’s work?

My first memory of Tolkien’s work was as a child, where my dad read The Hobbit to me. We had (and still have) a beautiful large hardback 1992 edition, illustrated by Michael Hague, who some may also know as the illustrator of The Wind in the Willows. It’s definitely an edition I recommend for children, the illustrations tell the story well, and Hague’s Smaug is really stunning. From there I read Lord of the Rings for the first time for myself when I was 11, borrowing a three-in-one edition from the local library, which was the ethereal 1991 Alan Lee hardback edition. Working through a book of that size as an 11-year-old was a challenge, but certainly brought with it a sense of achievement!

When the first movie (The Lord of the Rings: The Fellowship of the Ring) came out, I bought the 2001 movie tie-in editions and they remain my well-worn copies. My dad, sisters and I saw the movies together and they instantly became a staple in our house – every Christmas over the school holidays I would re-read the books, and we would borrow a projector from school and play the movies projected on the bedroom wall, sitting on the floor near the warm pipes – the perfect winter activity. In this way, Tolkien is and remains a sense of comfort in my life.

2. What is your favorite part of Tolkien’s work?

Tolkien’s works, the Peter Jackson movies, and hopefully now Amazon’s The Rings of Power, have always brought a powerful sense of connection and community. Being a part of the Tolkien Society over lockdown, particularly the Tolkien and Diversity seminar, really helped to strengthen this recently in a Global sense – Will Sherwood the education secretary has done a great job! On a more personal note, the people I have loved most in my life have also been lovers of Tolkien. It is something my sisters and I can bond over – sending each other memes, taking ‘which orc are you’ quizzes, quoting the movies back to each other, gifting each other an oversized cardboard cut out of Gollum and the Evenstar jewelry…

In addition, many features from Tolkien’s works were used at my wedding – our table plan was a map from The Lord of the Rings, and the table names were places from the legendarium, from Númenor to Bree. Whilst preparing for the wedding, we also had a poster on our door, using the ‘Ringbearer’ font from the movies, of Bilbo’s sign from his 111th birthday: ‘no admittance except on party business’. That’s without mentioning the money we won on the Lord of the Rings slot machines on honeymoon in Las Vegas…

3. What is your fondest experience of Tolkien’s work?

One of the aspects of Tolkien’s work that makes it so special to me is the personal connection to both Oxford and the Midlands. I was born in Oxford, and grew up there until I was ten years old. My family then moved to the Midlands, not far from Birmingham which inspired the eponymous two towers, and where Tolkien went to school. He then went on to Oxford University and raised his family in Headington, where I grew up. This included his youngest daughter Priscilla, the president of the Tolkien Society, who recently died, and it was an honor to sign her last-ever birthday card along with fellow members of the society. It was also a wonderful experience to see the Maker of Middle Earth exhibition at the Bodleian Library in Oxford in 2018 and see many of the original manuscripts, illustrations and letters there.

Reading Tolkien has always been a way for me to find and sustain that connection between Oxford where I grew up as a child, and the Midlands where I moved to as a teenager. Tolkien’s description of the landscape, and how it feels to move from place to place has always made such an impression on me, in how he manages to convey a sense of belonging, and how no detail is too small or unimportant – everything adds to your experience of being welcomed into and connected to his world.

4. Has the way you approach Tolkien’s work changed over time?

I have always taken Tolkien’s world-building seriously, and believe that is how he would have wanted his works to be understood, considering his knowledge of and dedication to philology; there is no doubt in my mind that the language is fundamental to the legendarium, and particularly how it functions as an alternate history of England. As a child, I first viewed Tolkien’s work as fun adventure stories full of challenges and experiences, and as a teenager, I related heavily to Eowyn’s feeling of being trapped by her familial expectations of duty, and society’s expectations of her gender. However, it was also as a teenager that the lightness and silliness of Tolkien’s work also came to the fore with online fandom taking off, and in the mid to late 2000s I ran the official fanlistings site for Ian Holm, who played Bilbo in The Lord of the Rings movies, and was a part of fan culture online, creating memes, digital artwork, attending comic con, etc., and I remain a part of the online fandom. Something that I have also done for the past few years is be involved in Tolkien Reading Day on March 25th: the Tolkien Society chooses a theme each year, and you can choose a passage from the legendarium that touches on the theme – during covid in 2021 the theme was Love and Friendship, and it was a surprisingly emotional and healing experience to be in a zoom meeting of strangers, but fellow Tolkien lovers reading and supporting each other.

5. Would you ever recommend Tolkien’s work? Why/Why not?

This is an easy question – of course! The only caveat I usually give is that in The Lord of the Rings there are very lengthy descriptions of the landscape, which not every reader can take. With regards to the three Lord of the Rings movies, I consider them perfect cinematic masterpieces (extended editions), from the editing to the score. I sometimes also give a caveat here on the depiction of race and gender. I am a supporter of the changes to Arwen’s character (and even to an extent the introduction of Tauriel in The Hobbit movies) but overall in the legendarium there is comparatively not a lot of diverse representation of gender and even less of race.

I would highly recommend The Hobbit as a fantasy novel for parents to read to children, it’s a great introduction to a family-friendly series that explores important values such as friendship, betrayal, good and evil, love, struggle, sacrifice, and the beauty of the natural world. Being exposed to world-building and strong characters at a young age can also develop a child’s literacy, imagination and creativity, and strengthen the connection between you through the act of sharing Tolkien’s works together.

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You can find Eve Hooper on Twitter!

This is one in a series of posts where the content is provided by a guest who has graciously answered five questions about their experience as a Tolkien fan.

To see the idea behind this project, or if you are interested in sharing your own, visit the project homepage. If you enjoy this series, please consider helping us fund the project using the support page.

I want to thank Donato Giancola for allowing me to use his artwork for this project. Prints are available on his website!

Now, on to Yoeri’s responses:

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1. How were you introduced to Tolkien’s work?

My first introduction to Middle-earth was The Fellowship of the Ring movie in 2001. I still remember leaving the movie theater with my brothers and parents and it was snowing. In my memory that moment is still full with a sense of wonder.

Later I read the Dutch translation of Lord of the Rings and in between the coming out of the movies I read The Silmarillion.

2. What is your favorite part of Tolkien’s work?

The depth and history of the world. Because of the amount of history that is spread trough The Lord of the Rings, reading it feels like stepping into a real world. It all feels real and I would call reading it fairie magic.

That is enhanced when I read The Silmarillion. I image that behind every page of The Silmarillion is a story the size of The Lord of the Rings. As is seen when The Lord of the Rings is summarized in two pages in ‘Of the rings of power and the third age’.

3. What is your fondest experience of Tolkien’s work?

The fondest experience is always the latest reading. Last week I read The Fall of Gondolin. I still remember that when I first read it I loved that chapter. When I first read the 50 page expansion of the one and a half pages in The Silmarillion, besides seeing what we could have been reading about the coming of Ulmo out of the water and the spiritual experience that Tuor has when Ulmo blows on the Ulumúri, I enjoyed seeing and feeling that all the water in creation is connected. Reading it makes me see the world with new wonder.

Also after reading it, I can’t get the image of Earendil watching Tuor and Idril sailing away out of my head and how it parallels Sam seeing Frodo sail away. I guess that Sam and Earendil both “stood far into the night hearing only the sigh and murmur of the waves on the shores of Middle-earth, and the sound of them sank deep into the hearts.”

4. Has the way you approach Tolkien’s work changed over time?

At first, I read The Lord of the Rings/The Hobbit/The Silmarillion form time to time.

The last few years, I taken to reading the whole Legendarium once a year when the itch arises, usually during the turning of the seasons, around autumn. I start at The Silmarillion and when I arrive at the great tales I pick up fuller versions of that tale. (Lay of Leithian, Children of Hurin, Lall of Gondolin), reading it as the tale of the jewels and the Ring trough the three ages.

5. Would you ever recommend Tolkien’s work? Why/Why not?

I don’t think I would say that people should read it, but I would say what the stories mean to me and why I think Tolkien is the most influential writer of the 20th century.

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You can find Yoeri Emmaneel on Twitter or Instagram!